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What follows is a series of small betrayals on Simon’s part as the struggle to remain in the closet wreaks havoc on his friendships.When the screenshots inevitably get leaked, Simon’s various white lies and sloppily orchestrated diversions also come to the surface, and he must pick up the remaining pieces of the carefully constructed outward persona that he’s been so desperate to maintain.’s protagonist doesn’t define himself by his difference—quite the opposite, actually—and he mistakenly believes that becoming who he really is means giving up who he used to be.Fully embracing the tropes of high school films—school dances, Friday-night football games, house parties where everyone drinks cheap beer out of red Solo cups— is prepared to offer the conventional pleasures associated with its genre.And the applause, when he finally gets the guy, is deafening.Cast: Nick Robinson, Josh Duhamel, Jennifer Garner, Katherine Langford, Talitha Bateman, Alexandra Shipp, Miles Heizer, Keiynan Lonsdale, Logan Miller, Tony Tale, Clark Moore Director: Greg Berlanti Screenwriter: Elizabeth Berger, Isaac Aptaker Distributor: 20th Century Fox Running Time: 109 min Rating: PG-13 Year: 2018 Buy: Video, Soundtrack, Book.But as he grows closer to Blue through their emails, Simon begins looking for signs of him in the real world based on clues from their exchanges, becoming open to the prospect that any cute boy he meets might be the object of his e-desire, making himself vulnerable to possibilities he hadn’t previously allowed himself to imagine.Community has always been a huge part of the queer experience, and it’s telling that Simon only begins his coming-out journey after he discovers that someone else in his daily life is going through the same thing.
None of these films were made with Demme and Fincher’s respective humanity and panache, but a handful featured memorable acting.He also happens to be gay, and when an anonymous online post by one of his classmates reveals that the closet is at least big enough for two, he begins an increasingly intimate correspondence that leads to him falling in love with the other boy—known only as Blue—via email, without knowing if the two of them have ever actually met in real life.Until now, Simon’s fear of change and the effort to keep everything just the same as it’s always been has led him to deny himself available pleasures that seemingly everyone else takes for granted.Faye is no more believable than any of the other stereotypes inhabiting , but Tremblay is the one actor here who informs her role with human conviction.(Also, you may respect Raymond’s restraint for not setting Faye up as a target of one of Marshall’s nemeses.)Cavill isn’t so much bad in his role as he isn’t present, which is understandable given that Marshall has been written with even less personality than usual for the hero of a cops-and-pervs narrative.